"Respect is not the real indeed accumulate appearances, it instead strip him of all that n is not essentially is sent to all in the simplicity. "
Roberto Rossellini
The intrusion of fiction into documentary
To show Muriel Jeker, singer, in its different environments have been possible through the documentary, but after the first stage of investigation and research, the posting of the documentary took place in me, bringing with it freedom to introduce as many fictional elements the project embryonic asked.
The contract that bound me with Muriel at the beginning of this adventure has changed. It is no longer just about to follow in his activities as a singer and voice teacher in the interview, but to invite him to re-experience certain situations and others based around an imagined story is fictional but still remains in relation to his universe. With his consent, I started a new script in which it was no longer the subject of a documentary but a character in "real" fiction. I wanted to confront its behavior in natural and real professional game of an actress whose role would be another important character in the film. This actress has quickly distanced itself from all others. This is Penelope Pierson.
Casting
The research was conducted on the role the second main character. The singer was there and gave the reply to those who showed up to cast (most came from the theater with a proven track record.). What happened is very interesting: Muriel who had asked to stay true to itself and its role in everyday (giving her first singing lessons for a new student who is present) is somewhat destabilized actresses (affected as a true first experience of singing lessons.). Its benefits have emerged strong emotions, glances and deep game very unique, involved, human and personal ... I can say "désinstrumentalisé.
work actor
The border issue between the character, the actor and the role arose very quickly. Indeed, for Muriel who played his own role in the film sequences in the "real" as it is in the exercise of his profession as a singing teacher, the indications were purely technical. Some travel and positions in space were directed to meet the point of view. For other more scripted sequences in which it was to embody the character who feels something of the emotional, responsive, challenging ... we went back to process more fictional and leading actor was more demanding and more difficult for her. You had to concentrate twice as hard to get in some states and the question is asked of the game. This juggling between moments purely fictional documentaries and other exercise was a bit obvious to her. The game of Penelope, professional actress who can embody a role and offer it with accuracy and credibility, is encouraged by the naturalness and spontaneity of Muriel, which in turn, leaves through the side of Penelope mastered. The interaction of the two games was interesting in more ways than one. They sought both emotions in their memories alive, guided by their true faces in this film project.
The border issue between the character, the actor and the role arose very quickly. Indeed, for Muriel who played his own role in the film sequences in the "real" as it is in the exercise of his profession as a singing teacher, the indications were purely technical. Some travel and positions in space were directed to meet the point of view. For other more scripted sequences in which it was to embody the character who feels something of the emotional, responsive, challenging ... we went back to process more fictional and leading actor was more demanding and more difficult for her. You had to concentrate twice as hard to get in some states and the question is asked of the game. This juggling between moments purely fictional documentaries and other exercise was a bit obvious to her. The game of Penelope, professional actress who can embody a role and offer it with accuracy and credibility, is encouraged by the naturalness and spontaneity of Muriel, which in turn, leaves through the side of Penelope mastered. The interaction of the two games was interesting in more ways than one. They sought both emotions in their memories alive, guided by their true faces in this film project.
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